But when they receive news of the raid, the building's residents will stop at. The joltingly energetic The Raid: Redemption feels like an action film distilled to its.
This film is about violence. All violence.
Wall-to-wall violence. Against many of those walls, heads are pounded again and again into a pulpy mass.
If I estimated the film has 10 minutes of dialogue, that would be generous. What am I to say? 'The Raid: Redemption' has a rating of 93 percent on the Tomatometer. It is being hailed as a breakthrough in martial-arts films. It is 'hard-driving, butt-kicking, pulse-pounding, bone-crunching, skull-smashing, bloodcurdling' (Hollywood Reporter) and 'largely a hand-to-hand, fist-to-face, foot-to-groin battle, with a few machetes and guns tossed in for good measure' (Variety). The trade papers are correct. I am dismayed.
I have no prejudice against violence when I find it in a well-made film. But this film is almost brutally cynical in its approach. The Welsh director, knows there's a fanboy audience for his formula, in which special effects amp up the mayhem in senseless carnage. There's obviously an audience for the film, probably a large one. They are content, even eager, to sit in a theater and watch one action figure after another pound and blast one another to death. They require no dialogue, no plot, no characters, no humanity. Have you noticed how cats and dogs will look at a TV screen on which there are things jumping around?
It is to that level of the brain's reptilian complex that the film appeals. 'The Raid: Redemption' is essentially a visualized video game that spares the audience the inconvenience of playing it. There are two teams, the police SWAT team and the gangsters. The gangsters have their headquarters on the top floor of a 15-story building, where they can spy on every room and corridor with video surveillance. The SWAT team enters on the ground floor. Its assignment: Fight its way to the top, floor by floor.
Most of the building's residents are living rent-free and are loyalists to the ganglord. Young kids are 'spotters,' who sound the alarm. Most fighters on both sides are armed with automatic weapons, swords, machetes, clubs and knives, but they prefer hand-to-hand combat. One fighter explains: 'Squeezing a trigger? That's like ordering takeout.'
The film opens by introducing rookie cop Rama , who recites his morning prayers on a prayer rug, undergoes a grueling physical workout and then tenderly kisses his pregnant wife goodbye. He will be our avatar. The van carrying his team parks in front of the building and is met by a gray-haired man wearing a bulletproof vest over a bright sports shirt. He is the lieutenant, who has set up the raid. Wearing clothes that make you stand out from all the others is a dimwitted move, but then again how bright is Tama (Ray Sahetapy), the crimelord, by barricading himself on the top floor? Elementary strategy suggests he can be cornered there.
He reminds me of my beloved movie cliche, the Climbing Killer. What country are we in? The movie never tells us. (It was filmed in Indonesia.) Establishing Rama as a Muslim seems pointless, except as a cheap fakeout in character development. No one in the film has a personality; they are all ruthless fighters without a brain in their heads. Is the lieutenant up to something? I neglected one plot point that is major by default, since there are so few.
One of the gangsters is Rama's brother. Thus it is inevitable that they eventually will hold each other's lives in their hands and resolve deep childhood feelings to their satisfaction, if not to ours. At the end, we see a lone figure walking slowly away from the camera while the music supplies a paroxysm of significance. Can we hope to see Rama's baby?
Some of the hand-to-hand battles are shameless in how they mimic video games. A fighter stands in a corridor and demolishes an enemy. As the enemy falls, another springs into position from around corner, ready to be demolished in turn. Then another. It's like they're being ejected by an automatic victim dispenser. What does 'Redemption' mean in the title? Who, or what, is redeemed, and how?
If you kill lots of people and are still alive, have you been redeemed? If you and your brother don't kill each other after almost everyone else does, is that redemption? Or is 'redemption' just one of those title words like 'reloaded' or 'destiny' to help people tell movies apart?
Running time 101 minutes Country Language Budget $1.1 million Box office $9.14 million The Raid (: Serbuan maut, 'The Deadly Raid') is a 2011 film written, directed and edited. The film stars, who previously worked with Evans in another action film, released in 2009. Both films showcase the traditional Indonesian martial art, with led by Uwais.
In the film, an elite squad is tasked to infiltrate a high-rise building – run by a ruthless drug lord – located in the slums of; among them is Rama (played by Uwais), a rookie member of the team. After its world premiere at the (TIFF), The Raid received positive reviews from critics. The name of the film was changed to The Raid: Redemption in the United States as distributor could not secure the rights to the title; it also allowed Evans to plan out future titles in the series. The US release of the film features a composed. It was released in the United States on DVD and Blu-ray Disc on 14 August 2012. A sequel, was released in 2014.
A second sequel was initially planned for release in 2018 or 2019, but no production schedule has yet been announced. Contents. Plot Rama, practices, and bids goodbye to his father and wife who is pregnant with his child. He cryptically promises his father he'll 'bring him home.' Rama joins a heavily armed 20-man elite police squad, including officers Bowo, Dagu, Sergeant Jaka and Lieutenant Wahyu, for a raid on an apartment block in 's slums.
The team intends to eliminate crime lord Tama Riyadi – who, with his two lieutenants Andi and Mad Dog, owns the block letting criminals and junkies around the city rent rooms under his protection. Arriving undetected, the team sweeps the first floors and subdues various criminal tenants; they also temporarily detain an innocent, law-abiding tenant delivering medicine to his sick wife in apartment #726. Continuing to the sixth floor, the team is spotted by a young lookout, who passes on the message to another lookout just before he's shot dead by Lt. Wahyu; the latter youth raises the alarm. Tama calls reinforcements and the team is brutally attacked.
Thugs snipe two officers guarding the perimeter, eliminate two more in the van, and ambush the officers patrolling the first five floors. Cutting the lights, Tama announces over the that the police are trapped on the sixth-floor stairwell, and he will grant free permanent residence to those who kill the intruders. In the darkness, the remaining team members are ambushed by shooters from above, and almost completely wiped out.
Prior to the gunfight, Lt. Wahyu confesses to Jaka he staged the mission so he can eliminate Tama – who's in league with corrupt police officials, including himself.
The mission is not officially sanctioned by police command; nobody at HQ knows their location and there is no hope for reinforcements. The only remaining officers Rama, Bowo, Jaka, Wahyu and Dagu retreat to an empty apartment as they are cornered by more armed thugs. To create an escape route, Rama uses an axe to cut a hole in the wooden floor so the team can descend to the lower level.
Dropping to the room below, the team struggles to fend off Tama's horde of thugs and Officer Bowo is critically injured in the process. In a last-ditch effort to defend his team, Rama uses a stove to construct an that successfully eliminates the invading henchmen, giving the officers a small window of time. Out of ammunition, and with more of Tama's reinforcements approaching, the team splits into two groups: Jaka, Dagu and Lt. Wahyu retreat to the fifth floor, while Rama and a critically injured Bowo ascend back above in search of the law-abiding tenant they encountered earlier. Fighting through a handful of goons on their way to apartment #726, Rama pleads with the tenant for help; despite his sick wife's protest, Gofar reluctantly hides the officers in his apartment.
Five machete-wielding thugs arrive and ransack the man's home. The leader, noticing a refurbished wall, begins stabbing it, narrowly missing Rama, but fail to find them. After tending to Bowo's wounds, Rama leaves him with the couple to search for Jaka's group.
Crossing paths with the machete gang he runs to the eighth floor but is cornered. He defeats the group, including their leader, who he uses to smash through a window and cushion a three story plummet onto a fire escape below.
Exhausted, he makes his way to the sixth floor before being grabbed by Andi, who had just murdered two of Tama's men in the elevator. Andi is revealed to be his estranged brother, who Rama signed up for the mission to search for at the urging of their father. Rama refuses to leave the building without his comrades, and Andi refuses to abandon his auspicious criminal life, 'Just because you see what I do as wrong doesn't mean I can't be good at it.' Rama parts to search for his surviving colleagues.
Mad Dog discovers Jaka and his group hiding on the fourth floor. Wahyu runs off, Jaka instructs Dagu to 'protect him,' while Jaka is left at Mad Dog's gunpoint.
Instead of shooting him, Mad Dog challenges Jaka to a hand-to-hand fight which he ultimately wins and proceeds to snap Jaka's neck, killing him. Mad Dog meets up with Andi to report back to Tama in the surveillance room. Tama, having learned of Andi's treachery, incapacitates Andi and hands him over to Mad Dog for torture and execution. Rama regroups with Dagu and Lt. Wahyu in apartment #403. They make their way up, fighting through a narcotics lab, as they head for Tama on the 15th floor.
Along the way, Rama discovers the room where Mad Dog is torturing Andi, causing him to separate from Dagu and Wahyu. Mad Dog lets Rama free Andi, and fights both brothers. He initially has the upper hand, but the brothers prove to be a match when working together. Following an intense and grueling battle, Rama kills Mad Dog with Andi's help. Meanwhile, Lt. Wahyu and Dagu confront Tama after killing off his remaining henchman. Wahyu ends up betraying Dagu by shooting him in the face before taking Tama hostage, intending to use him as a shield to escape.
When the duo encounter Rama and Andi as they're going down stairs, Tama taunts Wahyu revealing that he had already been waiting for them before the raid began and Lt. Wahyu was by his corrupt higher-ups; indicating that he will be killed regardless of escaping. In despair, Lt.
Wahyu kills Tama and attempts suicide, only to find he has no ammunition left. Andi uses his influence to allow Rama to leave with the injured Bowo and a detained Lt. Gofar, who protected Bowo, watches from a window grinning with relief. Andi also hands over emergency blackmail recordings Tama made of corrupt officials he dealt with, telling him to contact Officer. Rama asks Andi to come home, but Andi refuses due to his acclimation to his criminal lifestyle. Andi asserts he can protect Rama in his role as a gang boss, but that Rama can't do the same for him. As he turns around and walks back to the apartment block, the trio exit to an uncertain future.
Cast. as Rama, one of the rookie members of the unit tasked with raiding Tama's building. One of the few survivors of the raid. Uwais previously worked with Evans in. Having lived for four years in Indonesia and learned about the country's predominant religion, director Gareth Evans implicitly integrated the faith in Uwais' character without being too political or preachy about it. Iko Uwais at the premiere of in New York City, 17 March 2014.
as Jaka, the Sergeant who leads his unit into the raid. Having been a fan of Merantau, the former champion Taslim contacted Evans through for their next project. As Evans was browsing through Taslim's profile, he came across a photo of him in a SWAT uniform and felt that it resonated with the character.
Evans had him undergo choreography and drama auditions, with Taslim earning the role having aced them both. as Tama Riyadi, a ruthless who is the boss of the apartment building. Evans wanted a non-stereotypical take on the character, citing most wherein the boss is usually wearing a pristine suit and smoking.
as Mad Dog, a skilled fighter who is the muscle behind Tama's operation. Ruhian previously worked with Evans in Merantau as an actor and fight choreographer. Evans cast Ruhian in the film as he wanted him to play a 'purely evil' character, opposite to that which he played in his debut film which had a 'redeemable value'. as Andi, Tama's who is also Rama's estranged elder brother. Alamsyah also played Uwais' character's brother in Merantau. Since he regretted not being able to do action scenes in Merantau, Alamsyah approached Evans as they prepared for The Raid, earning the role having aced the audition. Iang Darmawan as Gofar, a tenant of the building who tends to his ill wife.
Prior to the film, Gofar's acting credits had been in, and The Raid marks his transition to a serious role. Pierre Gruno as Wahyu, the Lieutenant who arranges the eponymous raid to take out Tama. One of the few survivors of the raid. Tegar Satrya as Bowo, the hothead member of the team who is wounded attempting to save the life of a team mate. One of the few survivors of the raid.
Eka Rahmadia as Dagu, a skilled fighter and team member who protects Lt. Wahyu as they make their way towards Tama. A practitioner, Rahmadia is part of the Piranha Stunt Team who helped with the film's shooting. Alfridus Godfred as leader of the machete gang, who hunt the surviving officers when Jaka and Rama split into two groups. Other cast members include and, who play Rama's father and wife, respectively., and Yusuf Opilus appear as officers Budi, Ari and Alee, respectively.
Production Development and pre-production Director came across the idea for the film when he moved to to film a documentary about the country's martial art, as suggested by his wife of Indonesian Japanese descent. It was in that country that he met, a Silat practitioner who was then working as a delivery man for a phone company based in. Evans then nudged his wife to cast Uwais for, and then in The Raid. Following Merantau, Evans and his producers began work on a Silat film project called Berandal ( for Thugs), a large-scale prison intended to star not only Merantau actors Uwais and but also an additional pair of international fight stars. A teaser trailer was shot, but the project proved more complex and time consuming than anticipated. After a year and a half, Evans and the producers found themselves with insufficient funds to produce Berandal, so they changed the film to a simpler but different story with a smaller budget.
They called the project Serbuan Maut ( The Raid). Producer Ario Sagantoro considers the film to be lighter than Merantau. Evans also considers it to be 'a lot more streamlined,' stating that ' Merantau is more of a ' while The Raid is more of a ' film.' Evans wanted The Raid vastly different from Merantau in terms of pacing. With Merantau, some fans complained the action sequences took too long to appear since the first 45 minutes of the film laid emphasis on character development, backdrop (specifically, the Indonesian culture) and drama. Therefore, Evans designed The Raid to be a 'full-on' action film.
Pre-production took about four months, which include finalization of the script (which included translation of the original English-language script into Indonesian) and the work on choreography for the fighting sequences, which were designed by Iko Uwais and Yayan Ruhian. The actors that make up the key members of the police squad were sent to bootcamp military training with, where they learned how to use weapons, and how to perform strategic attack and defense techniques. Filming and post-production The crew wanted The Raid to be shot in a quasi-documentary style, that is, the camera is handheld and without the use of. To aim such objective, they shot the film in using camcorder – which had just recently come out of the market – and strayed from using while shooting most action and fight sequences. In addition, the camera was frequently attached to a to prevent most scenes from being too jarring, and give the camera operator opportunities to change angles and positions rapidly. All guns used in the film were replicas, to avoid the costs associated with having to deal with firearms.
All the shots of the guns' actions cycling, muzzle flashes and cases ejecting were added digitally. When filming concluded, about two hours of footage was shot; Evans originally intended it to be eighty to eighty-five minutes long.
The footage was eventually cut down to approximately 100 minutes. The final stages of post-production took place in, Thailand for the and processes.
Main article: While the film was still in production, in May 2011, Sony Pictures Worldwide Acquisitions acquired the distribution rights of the film for the US market and tasked of and to create a new score. The film premiered at the 2011 Toronto International Film Festival with the original score from the Indonesian version which was composed by Aria Prayogi and Fajar Yuskemal, who also composed Evans's previous film Merantau. The Raid made its debut in the US with Trapanese and Shinoda's version at Sundance 2012. On his blog, Shinoda stated that his score was over 50 minutes and almost all instrumental.
After film production, he had room for two more songs, but did not want to sing or rap, so he posted pictures of two music artists. / frontman guest performed 'RAZORS.OUT', which was leaked online on 16 March 2012, as rap group performed 'SUICIDE MUSIC' for the film.
International release The film was marketed internationally through Celluloid Nightmares, a partnership between US-based and France's. Acquired the film's distribution rights for the United States, Latin America and Spain, revised the, and changed the title to The Raid: Redemption for the US release. Distribution rights to other countries were sold to for Japan, for Germany, for Canada, for the United Kingdom, for Australia, SND HGC for China, and Calinos Films for. Deals were also made with distributors from Russia, Scandinavia, Iceland, Italy, South Korea and India, during the film screening at the TIFF. Reception Critical response Professional ratings Aggregate scores Source Rating 73/100 85% Review scores Source Rating B- Reviews were highly positive. Gives the film a score of 86% based on reviews from 155 critics, with an average score of 7.5/10. The website's consensus was 'No frills and all thrills, The Raid: Redemption is an inventive action film expertly paced and edited for maximum entertainment.'
In contrast, ' acclaimed gave the film one star out of four; he criticized the lack of character depth, and noted 'the Welsh director, Gareth Evans, knows there's a fanboy audience for his formula, in which special effects amp up the mayhem in senseless carnage.' Ebert was himself criticized for his assessment, and later published a defense of his review. Box office In its Sony Pictures Classics debut in the United States on 23–25 March 2012, The Raid: Redemption grossed $220,937 from 24 theaters for a location average of $15,781. For its widest opening release weekend in the United States and Canada on 13–15 April 2012, the film grossed $961,454 from 881 theaters, and ranked 11th overall. In the United Kingdom, the film grossed $660,910 on its opening weekend. In Indonesia, approximately 250,000 people watched the film in the first four days of release, and it was considered a great turnout for a country that only has about 660 theater screens nationwide. As of 8 July 2012, the film has grossed $4,105,123 in North America.
The film grossed approximately $9.1 million worldwide. Home media On DVD and Blu-Ray, the film grossed $9.4 million in the United States. Accolades The film received numerous awards and nominations from both local and international institutions. At the, which is dubbed by local media as the Indonesian version of the, the film received 10 nominations. The Raid did not receive any nominations at the (the Indonesian equivalent to the ); which was considered a. List of accolades received by The Raid Award Date Category Recipient(s) Result Ref.
Midnight Madness – People's Choice Award The Raid Won 28 February 2012 Best Film The Raid Won Audience Award The Raid Won 17 March 2012 Festival Favorites – Audience Award The Raid Nominated Festival Mauvais Genre 9 April 2012 Prix du Public The Raid Won 30 April 2012 Silver Scream Award The Raid Won Best Feature Film The Raid Nominated Best Director Nominated Best Supporting Actor Nominated Best Cinematography Matt Flannery Nominated Best Editing Gareth Evans Won Best Special Effects Andi Novianto Nominated Best Art Direction Timothy D. Main article: While developing The Raid in script form, Evans started to toy around with the idea of creating a link between it and his initial project, Berandal.
It was later confirmed that Berandal would serve as a sequel to The Raid. Evans has also stated his intention to make a trilogy. Sony pre-bought the US, Latin American and Spanish rights to the sequel. Alliance/Momentum bought the rights to the United Kingdom and Canada; Koch Media acquired the film for German speaking territories; Korea Screen acquired the rights to Korea; and HGC acquired the rights to China. Deals for other major territories were also in negotiations. Subtitled Berandal for the Indonesian market and simply The Raid 2 for the US and market, the sequel had a 'significantly larger' budget than its predecessor, and its filming included approximately 100 days of shooting.
Pre-production began in September 2012 while filming began in January 2013. A second sequel The Raid 3 had been announced shortly after the first sequel's release.
However, in a 21 November 2016 interview with Impact Online, director Evans revealed the sequel was on hold with the franchise likely having ended, stating 'Moving back to UK felt like a closing chapter on that franchise – we ended the story pretty neatly (I feel) in Part 2. I’m aware there's an interest for it. So never say never, but it's unlikely to happen anytime soon.'
Comics and animation A based on The Raid was released on 21 May 2012 in Indonesia. A short depicting the plot of The Raid as cats, made by Lee Hardcastle released on 11 May 2012, was included in the special features disc. A teaser trailer depicting The Raid as a '90s, made by Philip Askins released on 19 May 2012, was also included in the special features. On 22 June 2016, announced had teamed up with Gareth Evans and XYZ Films for a comic book series featuring 'original stories featuring characters from The Raid movie series' with a launch date expected for late 2016. See also., a 2018 Philippine film with a similar premise References. 25 April 2012. Retrieved 25 April 2012.
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